Slide to Expose
Babycastles, New York City
Junior High, Los Angeles
Brighton Digital Festival
The project explores digital intimacy, privacy, the concepts of life and death online, and ultimately asks how devices, particularly our phones, aid, form, and reshape our perceptions of these experiences.
We experience a virtual reality through an infinite sequence of call and response behaviors — posting
content, gathering likes and comments, receiving praise, or criticism. Everything we do virtually, whether
it’s our intent or not, invites interaction. Our memories, our emotions, our reactions are tied to our
devices, and the interplay of ego validation and ego death brings forward an interesting juxtaposition, a
flurry of thoughts constantly present at the forefront of our conscious that remain hidden as onlookers
virtually pass our feeds and physically pass our bodies.
Experienced as a bedroom, a typically private space, the installation presents as a physical still life. As
visitors enter the room they’re invited to use their phones as augmented reality triggers, scanning the
objects of the space, and exploring the room to find private displays of a digital consciousness that
secretly overlays the objects. Scanning a pillow creates a text message, scanning a mug generates an
email, each, together, creating a second living layer in a constant state of fragmentation and
regeneration. An infinite cycle of new life and immediate death all in one space.